Amy R. Porter, a Louisiana native, has appeared in many standard operatic roles, including Königin der Nacht (Die Zauberflöte), Violetta (La Traviata), Lucia (Lucia di Lammermoor), Mimi (La Bohème), Marguerite (Faust), Contessa (Le Nozze di Figaro), and Alice (Falstaff). She has performed more contemporary operatic works, including Poulenc’s one woman monodrama La Voix Humaine (Femme), Dinos Constantinides’s psychological one-act opera Rosanna (Angelina), and a partially-televised production of David Amram’s Twelfth Night (Olivia), as well as early music productions, including Purcell’s Dido and Aeneas (Dido) and the New York City premiere of Hildegard von Bingen’s medieval morality play Ordo Virtutum (Victory). An ardent solo performer of pre-classical repertoire, she was a founding member of the Baton Rouge Early Vocal Ensemble (BREVE). Ms. Porter has performed recitals, concerts, and oratorio repertoire throughout the United States.
In addition to singing and teaching, Ms. Porter enjoys playing the role of operatic stage director, directing productions for LSU Opera and LSU Summer Opera Camp. She has also worked as a conductor, having served as chorus master for Opera Louisiane in Baton Rouge as well as in numerous church music director positions. She teaches applied voice at Gonzaga University and serves as lecturer faculty of Whitworth University, where she teaches applied voice, lyric diction, and song literature.